The 56th BFI London Film Festival Follow Us on Twitter

Feature Article

Money Monster

JODIE Foster’s fourth film as director may boast big stars and big themes but while often outrageously enjoyable, it’s bark is ultimately bigger than its bite.

Money Monster plays best as a taut hostage thriller featuring some excellent performances that succeeds in taking some well-judged pot-shots at financial institutions and media outlets. But contrary to Foster’s claims that it asks some big questions of both, it opts for a more Hollywood-style approach that ends up feeling more than a little naïve.

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