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The Spirit of Utopia - Whitechapel Gallery

Pedro Reyes, Sanatorium, Museum of Hypothetical Lifetimes, 2012. Photo: courtesy of the artist.

Exhibition preview

TEN leading international artists and collectives speculate on alternative futures for society, the economy and the environment in the Whitechapel Gallery’s summer exhibition, The Spirit of Utopia (July 4 to September 5, 2013).

Including new commissions and works by artists, architects and designers Yto Barrada; Theaster Gates; Ha Za Vu Zu; Peter Liversidge; Ostengruppe; Claire Pentecost; Pedro Reyes; Superflex; Time/Bank and Wayward Plants, the exhibition features a series of installation and events which propose playful, proactive and creatively pragmatic models for social change.

The exhibition opens with Mexican artist Pedro Reyes’ Sanatorium (2013), an installation evoking a temporary clinic offering participatory ‘therapies’, mixing art and psychology. Visitors are able to take part in a range of self-discovery sessions created by the artist.

Exploring teaching, skill and craft, US artist Theaster Gates’ installation Soul Manufacturing Corporation (2011- ongoing) has skilled potters training apprentices to throw clay on a wheel in a working pottery studio in the gallery space, producing utilitarian pots that will be displayed as they are created.

The exhibition continues with Improbable Botany (2013), a series of experimental greenhouses by the London landscape practice Wayward Plants which proposes new possibilities in food production – from futuristic seed gardens to sending plants to space.

Our relationship to the environment is also explored by US artist Claire Pentecost who draws connections between the health of local soil from urban farms to the health of the human body.

A platform for alternative economies is presented through an installation by Time/Bank. Founded by artist Julieta Aranda and Anton Vidokle, Time/Bank is an international project which creates micro-economies based on the exchange of time and skills. Their display including film, posters and the Time/Bank archive is complemented by a series of lectures by prominent theorists and academics who will utilise the archive for the duration of the show.

The Danish collective Superflex promote self-organisation and counter-economic strategies. Their film The Financial Crisis (2009) sees a hypnotist addressing the financial meltdown of 2008.

French-Morocan artist Yto Barrada’s installation explores the relationship between personal histories and bureaucracy by examining her experience as an artist within the historic context of colonial power. Playfully presented through a newly commissioned poster series titled Say Don’t Say, the posters use terms which subversively react to bureaucratic demands.

Other highlights from the exhibition include British artist Peter Liversidge’s series of written proposals, resulting in ongoing performances and events staged throughout the duration of the show, such as the creation of a fictitious exhibition archive and a public comedy night in the Gallery.

Turkish collective Ha Za Vu Zu will create a new film work on the history of the world, involving visitors taking part in a live performance, while Russian design lab Ostengruppe will create specifically commissioned posters for the exhibition.

Admission: Free.

Opening Times: Tuesday to Sunday 11am – 6pm; Thursdays 11am – 9pm.

Whitechapel Gallery, 77 – 82 Whitechapel High Street, London, E1 7QX

Tel: + 44 (0)20 7522 7888

Website: www.whitechapelgallery.org/