Almost Alice - Review
Review by Jack Foley
SOUNDTRACK compilations inspired by movies are rapidly becoming another cool way of promoting films as well as allowing bands to broaden their own fanbase.
Hence, Tim Burton’s Alice in Wonderland is released in two formats: one featuring the original soundtrack music of Danny Elfman, and this version featuring ‘imaginative compositions brought to life by the fantastic world of Alice in Wonderland‘.
How much you’re prepared to write this off as a cash-in probably depends on how much of a sceptic resides inside you. But there’s no denying the quality of the artists assembled for this particular effort, or some of the songs that have resulted.
Leading the way is Avril Lavigne’s really rather excellent end titles song, Alice, which unfolds using a sombre piano loop and some gutsy vocals that tap into the confusion of the eponymous heroine.
It’s brilliantly delivered, rousing and a good way to close the movie.
The All-American Rejects contribute a part-mellow, part revved up son called The Poison, which lulls you into a false sense of calm, before taking you down the rabbit hole in suitably trippy fashion. It’s a good song and another highlight.
Likewise, Owl City’s sumptuous The Technicolor Phase, which pretty much underlines why they’re one of the buzz bands of the moment… swirling electronics, hushed vocals and a really calming influence, coupled with some imagery-laden lyrics befitting the visual style of Burton’s movie.
Further highlights come from Shinedown’s Her Name Is Alice, which is brillianly written to encomposs many known Lewis Caroll themes, while Plain White T’s Welcome To Mystery is another example of why this particular band continue to grow in our esteem with each new release.
There are disappointments, of course. Franz Ferdinand’s contribution, The Lobster Quardrille is wilfully trippy and art-rock, but not in a good way, while Wolfmother’s stadium sized ’70s rock offering Fell Down A Hole is more in keeping with their music thing than the style of Burton’s movie.
The Cure frontman Robert Smith’s Very Good Advice is also a curiosity that may divide fans… to describe it as Burton-esque in composition is probably the best compliment, but anyone anticipating a Goth-offering akin to Cure material may be disappointed.
With further hit-and-miss contributions coming from the likes of Kerli, Motion City Soundtrack, Metro Station and All Time Low (to name but a few more), Almost Alice is, for want of a better term, almost brilliant… but not quite a completely satisfying experience either.
It has enough strong moments, though, to be worth venturing down the musical rabbit hole…
Track listing:
Right Content
Related Links
- Website
- Buy it (Amazon)
- Read our review
- Johnny Depp interview
- Tim Burton interview
- Mia Wasikowska interview
- Anne Hathaway interview
- Helena Bonham Carter interview
- Alice in Wonderland: Movie Photos
- Alice in Wonderland: Concept Art Gallery 1
- Alice in Wonderland: Concept Art Gallery 2
- Alice in Wonderland: Concept Art Gallery 3

