The Tudors: The Complete Third Season - DVD Preview
Preview by Jack Foley
DVD & BLU-RAY SPECIAL FEATURES: On Set with The Tudors; Soul Queen Meets Tudor King: Joss Stone as Anne of Cleaves; Exclusive Tour of Hampton Court.
PLOTTING and passion abound in this lavish account of one of the most turbulent reigns in English history. Returning for a third sexy and sensational series, The Tudors – The Complete Third Season is released to buy on Blu-ray and DVD from December 7, 2009, courtesy of Sony Pictures Home Entertainment.
This spectacular, Emmy® Award-winning drama from Michael Hirst, creator of the Academy Award winning Elizabeth and Elizabeth: The Golden Age, which recently aired on primetime BBC2 and is set to be released on DVD just in time for Christmas.
Season 3 sees Jonathan Rhys Meyers (Mission: Impossible III) returning to the role of Henry, alongside Henry Cavill (Stardust, Tristan + Isolde), Annabelle Wallis (Body of Lies) and multi-award winning singer Joss Stone in her debut TV acting role as Anne of Cleves.
The three disc box set contains all eight episodes from the third season and is available on DVD for £29.99 RRP and on Blu-ray for £39.99 RRP.
In addition, Season 3 will also be available to buy as part of The Tudors 1-3 (9 disc) DVD box set, which contain every episode of the pulse-racing historical drama – a royal treat for fans this Christmas.
Synopsis:
Following the execution of Anne Boleyn, King Henry VIII takes Jane Seymour as his third wife convinced she is the woman destined to bear him a son. Though Jane’s pregnancy is cause to rejoice, Henry faces mounting threats to his authority from a commoners’ revolt inside England and a Pope in Rome who is determined to stem Protestantism’s rise.
As attacks on his new church foreshadow trouble for the King, the increasingly powerful Thomas Cromwell redoubles his efforts to crush Catholicism across England. When Jane dies shortly after giving birth to Henry’s first son, Cromwell looks to capitalize on the tragedy to find a new wife who will bring with her the alliances needed to stave off a Catholic invasion – only to be undermined by Henry’s staunchest supporters.
And as an anguished Henry struggles to codify his position as the head of the new church, no one is safe from his growing madness.
Christopher Eccleston to play John Lennon
Story by Jack Foley
CHRISTOPHER Eccleston is to play John Lennon in a new film charting the turbulent years from 1967 to 1971.
Naked Lennon will examine the period when the Beatle was ending his first marriage to Cynthia as he met Yoko Ono as well as coping with the death of manager Brian Epstein and the messy disintegration of the band.
The biopic, which follows hot-on-the-heels of Sam Taylor Wood’s Nowhere Boy, has been commissioned by BBC Four, according to Variety, and will air sometime next year.
It also stars Naoko Mori, of Torchwood and Absolutely Fabulous fame, as Ono and Rory Kinnear as Epstein, with Claudie Blakley (Cranford) as Cynthia Lennon and Andrew Scott as Paul McCartney.
Nowhere Boy, which opens in UK cinemas on Boxing Day, depicts Lennon as a teenager growing up in Liverpool in the 1950s.
Read our review of Nowhere Boy
Enid - DVD Preview
Preview by Jack Foley
HELENA Bonham-Carter leads the cast in Enid, a major one-off drama as part of the BBC’s ‘Women We Loved’ season, coming exclusively to Amazon on DVD from Universal Playback on November 30 and trade-wide from January 2010.
Enid celebrates the life of Enid Blyton, who remains one of the most recognised and best-loved storytellers of all time. Her charming characters and classic tales have enchanted generation after generation of children all over the world for almost eighty years.
To date she has sold an astonishing 500 million books in 40 countries and this film examines the woman who created such enduring and compelling stories such as the beloved Famous Five, Secret Seven, Malory Towers and the unique and timeless Noddy series.
Enid Blyton was recently voted the UK’s best-loved writer, according to a survey conducted for the Costa Book Awards. Half a billion books sold helped her to beat Roald Dahl, Jane Austen and even JK Rowling to the top spot.
But behind the extraordinary success and positive image lies a darker and more conflicted story. This film sheds light on the ambitious and driven, but as yet unpublished young woman.
We follow her from the development of her wonderful rich imagination against the adversity of a less than perfect childhood, through two World Wars and a first marriage that ended in divorce, to household name – and a place in readers’ hearts that survives her to this day.
For the first time on screen, we see how the orderly, reassuringly clear worlds she created within her stories contrasted so dramatically with the complexity of her own personal life.
Joining the Oscar-nominated Helena Bonham-Carter are Matthew Macfadyen (Frost/Nixon, Pride & Prejudice, Spooks) as Hugh Pollock, Enid’s publisher, first husband and father of her two daughters, and Denis Lawson (Bleak House, Local Hero) as Kenneth Darrell Waters who became her second husband.
Enid continues BBC Four’s tradition of examining the inner lives of 20th Century icons from Steptoe to Thatcher. It’s a candid and revealing portrait of someone who remains such a revered part of our culture.
Of her iconic role, Helena Bonham Carter said: “It’s a long time since I have read such a well-written script with as complex and fascinating a character as Enid … And I hope I get to drink lashings of ginger beer.”
Enid will be released exclusively to Amazon on DVD from Universal Playback on November 30 and trade-wide from January 2010.
The Sopranos - The Complete First Season (Blu-ray) - Preview
Preview by Jack Foley
HBO HOME Entertainment celebrates the 10th Anniversary year of the debut of their groundbreaking, multi award winning series The Sopranos on November 23, 2009, with the Blu-ray release of The Complete First Season.
For the first time ever, fans will be able to experience this controversial and brilliant series in a whole new light.
The drama is all the more effective on Blu-ray with its gritty, challenging portrayal of the modern mafia. Viewers will be able to witness ever whack, madonn’ and hit in unflinching detail with enhanced sound and HD picture for the first time ever. With expansive special features, you’ll be transported into the heart of the action where the clarity of the format will make you feel you’re actually in Tony’s kitchen or being analysed in Dr. Malfi’s office.
BLU-RAY SPECIAL FEATURES: Audio Commentary with Creator/Writer/Director David Chase and Peter Bogdanovich; David Chase Interview; Family Life featurette; Meet Tony Soprano featurette; Series Index.
A stunning, newly repackaged DVD box set of the complete series 1-6 will also be released on the same day.
Building on HBO’s stunning collection of landmark TV series on Blu-ray, The Sopranos won an astonishing 21 Emmy® and 5 Golden Globe® awards.
Writer-producer-director David Chase’s extraordinary television series is an urban gangster drama, but its true impact strikes closer to home, chronicling a dysfunctional, suburban American family in bold relief.
The Sopranos stars three-time Emmy® winners James Gandolfini (In The Loop) as Tony Soprano and Edie Falco as Tony’s wife Carmela, plus Lorraine Bracco as therapist Dr. Jennifer Melfi, Emmy® winner Michael Imperioli (Goodfellas) as Tony’s nephew Christopher Moltisanti and Dominic Chianese as Uncle Junior.
Other series regulars include Robert Iler as Anthony Soprano, Jr., Jamie-Lynn Sigler as Meadow Soprano, Tony Sirico as Paulie Walnuts and Steven Van Zandt as Silvio Dante.
The Show
Tony Soprano tries to be a good family man on two fronts – to his wife, kids and widowed mother – and as a capo in the New Jersey mob. The pressure of work and family life give him anxiety attacks, so Tony starts seeing a psychiatrist, which is not the kind of thing a guy advertises in the circles Tony moves in – it could get him killed.
What caused all this stress? On the home front his marriage is shaky and his mother needs to be put in a nursing home (he calls it a ‘retirement community’ but she still won’t go).
Uncle Junior wanted to use Tony’s childhood friend’s restaurant to whack a guy called Pussy Malenga, but Tony prevented the hit by blowing the place up. When a Czech mob attempted to move in on the Sopranos’ waste management business Tony’s hot-headed nephew Chris ‘handled the problem’ by murdering their representative and dumping him on Staten Island without getting the permission of the administration.
To top it all off, Tony is haunted by the feeling that the glory days of mob life are long gone, and that he might not measure up to the titans of the past.
It’s enough to make anyone see a shrink…
Certificate: 18
Running time: 754mins
UK Blu-ray Release: November 23, 2009
Whishaw and Walters triumph at International Emmys
Story by Jack Foley
BRITISH stars Ben Whishaw (pictured) and Julie Walters triumphed in the top acting categories at the International Emmy Awards in New York on Monday (November 23, 2009).
Whishaw was honoured for his performance in BBC drama Criminal Justice, while Walters triumphed for the BBC’s assisted suicide drama A Short Stay In Switzerland.
Twenty-nine-year old Whishaw played a man accused of murdering a woman after a night of drink and drug-fuelled excess in five-part drama, while 59-year-old played a doctor with an incurable neurological disease seeking assisted suicide at a Zurich clinic.
Neither performer was at the New York awards, which was hosted by Graham Norton.
The International Emmys celebrate TV made outside of the US and were chosen from 41 nominees across 17 countries.
Elsewhere at the ceremony, Sir David Frost was presented with the Founders Award by US broadcaster Barbara Walters, who subsequently described him as “the best interviewer there is”.
Sir David’s TV career began in the early ’60s when he hosted satirical show That Was The Week That Was before his tussle with former President Richard Nixon turned him into a world-wide star and heavyweight interviewer.
The story of his Nixon interview has since been turned into the Oscar-nominated film Frost/Nixon as well as a stage play.
Further British recipients included Channel 4’s The Mona Lisa Curse (which won the arts programming award), Niall Ferguson’s The Ascent of Money, also shown on Channel 4, took the documentary prize, and CBBC’s Dustbin Baby in the children and young people category.
Danish show The Protectors was named best drama series, while Japanese programme Hoshi Shinichi’s Short Shorts won the comedy award.
Grey's Anatomy: Season 4 - Review
Review by Jack Foley
THE decline of Grey’s Anatomy continued as the show entered its fourth season with personal drama once again dominating proceedings.
Interns Meredith (Ellen Pompeo), Cristina (Sandra Oh), Izzie (Katherine Heigl), and Alex (Justin Chambers) began their first year as residents, while mentoring new underlings including ex-colleague George (TR Knight), who remained an intern after failing his exams, and Meredith’s half sister, Lexie (Chyler Leigh).
Dr Derek Shepherd (Patrick Dempsey) struggled to balance work commitments with the emotional wounds caused by the end of his relationships with both Meredith and his ex-wife.
And Dr Bailey (Chandra Wilson) also struggles to cope with losing the Chief Resident spot to Dr Torres (Sara Ramirez).
All of the above storylines enabled the characters to indulge in yet more self-absorbed posturing, as medical storylines either reflected their state of minds or current life crisis.
Even the big moments were squandered, with two-parters such as Crash Into Me and season finale Freedom merely adding to the suspicion that this once highly entertaining show has seen its better days.
The biggest problem with Grey’s Anatomy continues to be the nature of its characters. Flawed human beings are perfectly fine and shows such as ER and, more recently, In Treatment are packed with them.
But there has to be something to identify with beyond those failings… some form of likeability. Alas, the self-absorbed, pretentious and frequently selfish attitudes that drive the surgeons at the centre of Grey’s exasperate more than reward.
The interminable will they/won’t they get it together between Derek and Meredith is now stretched beyond breaking point… with Derek short-changed with a new love interest viewers just know he won’t last with.
Meredith, meanwhile, continues to be one of the most selfish, self-centred characters on television, while even the previously likeable likes of Izzie, Callie and George have gone off the rails.
The return of Kate Walsh’s Addison for an episode entitled Piece of My Heart served a reminder of why the show is cheapened for the loss of that particular character, while the one dimensional treatment afforded to Eric Dane’s sex-obsessed, borderline misogynist was close to scandalous.
Plot devices also became increasingly clunky, such as the marriage between George and Callie that no one believed in from the start, or the decision to introduce an affair with Izzie as a means of ripping it apart. The stories just didn’t ring true, thus undermining their emotional grip.
Admittedly, season four was a slight improvement on the ponderous third season. But come the end of the 17 episodes that comprise this box set, you may well feel it’s still in a critical condition.
Certificate: 15
Discs: 5
UK Release Date: November 23, 2009
Steven Spielberg and Stephen King to unite for Dome series
Story by Jack Foley
STEVEN Spielberg is joining forces with horror writer Stephen King to develop a new limited series based on the author’s just-released supernatural thriller Under The Dome.
Spielberg’s DreamWorks TV has optioned the book and is set to turn the novel into an event series for cable.
The book centres around the drama that’s created when an invisible force field suddenly descends on a small vacation town in Maine.
As the locals fight for survival, warring factions are created by enigmatic characters.
Under The Dome would mark the second collaboration between Spielberg and King, following their adaptation of King’s 1984 novel The Talisman.
It also marks the latest small screen project from Spielberg, who is also developing a series about the development of a fictional Broadway show for Showtime, as well as a costume-drama revolving around the Borgia clan that Robert Zemeckis is also producing.
DreamWorks TV also produces the acclaimed dramedy United States of Tara, for which Toni Collette was recognised with the lead comedy actress Emmy in September. That show is due to commence its second season in March 2010.
Spielberg is also involved in a follow-up to his acclaimed World War II series, Band of Brothers, for the small screen.
Michael Stuhlbarg talks Boardwalk Empire
Story by Jack Foley
MICHAEL Stuhlbarg, the star of the Coen brothers’ new film A Serious Man, has been talking about working with Martin Scorsese on new HBO gangster drama Boardwalk Empire.
The series, which is loosely based on the book by Nelson Johnson, stars Steve Buscemi as Enoch Nucky Thompson who, according to Stuhlbarg, was “the unofficial governor of Atlantic City, who sort of gets illegal things for people”.
He continued: “It [the show] follows the life and times and birth of Atlantic City. There are some famous characters, such as Al Capone and Lucky Luciano, in it. [But] it primarily focuses on Steve Buscemi’s character, Enoch Nucky Thompson, who is sort of the unofficial governor of Atlantic City, who sort of gets illegal things for people.
“I play Arnold Rothstein, who was allegedly responsible for fixing the 1919 World Series and the whole Chicago Black Sox Scandal. A gambler, bootlegger, racketeer, stable owner, heroin importer… there weren’t many things he didn’t do, so he’s quite an interesting guy.”
Gretchen Mol, who was last seen in last season’s short-lived American television version of Life on Mars, will also be going to the HBO series in a recurring role as a showgirl.
Stuhlbarg is an acclaimed Broadway actor who has also appeared in the film Body of Lies for director Ridley Scott.
Read our full interview with Michael Stuhlbarg
HBO's Rome - Kevin McKidd interview
Compiled by Jack Foley
WE TALK to Kevin McKidd, who stars in Rome – released on Blu-ray by HBO and out now – about the last years of Julius Caesar’s reign, playing soldier Lucius Vorenus. He talks about some of the physical demands of the role, finding his character and coping with learning an American and English accent…
Q: How did you deal with being away from home for such a long period of time, making Rome?
Kevin McKidd: You just deal with it, I’ve got a wife and two young children who are not in school yet, so I was lucky that they could come out with me for big chunks of time. And I commuted a lot, I was in those Friday and Sunday night planes. It’s only a two and a half hour flight so it’s doable, it’s not a nightmare, but there were times when you started to crave, I remember I’d crave a bacon butty, a good cup of tea; all those things that you take for granted in Britain. You start to crave for eggs and chips. But then when you leave Italy you realise: “God, man, this was great, how I could ever complain?”
Q: Wasn’t there a hiatus at some point and why was that?
Kevin McKidd: I think what happened was that the Bulgarian set became flooded, so we couldn’t use them so we had to take a break anyway. HBO took the opportunity and looked at the material and decided that they needed to pump more money into it to fully realize the show as it stands at the moment. The sets were too clean, pristine… we wanted it to be much more broken down, much more colourful, much more like an Indian market. I think they put 15 million more after that. We ended up relocating all those exterior locations in Bulgaria back to Rome, we just found locations that were similar to Bulgaria locations.
Q: How much blue screen was there?
Kevin McKidd: About 90% what you see is really built. It’s a five kilometre set in the radius, which is massive. Beyond that there would be blue screens put up, so just only when your eye sees a temple in a very far distance or a hill, only at that point it becomes CGI.
Q: Were you ever able to get so immersed to it that you felt that you really were in ancient Rome?
Kevin McKidd: I’m not Daniel Day-Lewis [laughs] but there were moments, especially the night shoots, in that set when you get the flames going and all these people on the streets at night, I really became so immersed, and between action and cut a few times in a very intense scene, there were moments when you get goose flesh, “wow, we’re actually here” or maybe it was just sleep deprivation, I don’t know [laughs].
Q: How did you start to build your character?
Kevin McKidd: The obvious place to start was the army training, and the guy called Billy Budd who’s become a good friend, he fought in the marines, and I worked with him in Kingdom of Heaven so I knew him a little bit, and we did so much work with him. Not just about the baring of a soldier and the way to present yourself, the way to march, but also for me, because Vorenus is a leader of men, and he taught me the techniques and there’s a very specific technique to win the hearts and minds of your men, to make them fight to the death for you and for each other. It’s about public speaking, honour, chivalry, care for your men, you become their father, so I was just sucking everything in as much as I could. Vorenus is nothing but that and his struggle is to come to terms with his family and civilian life, so I needed to get the army bit right.
Q: Do you think you could’ve made a good soldier?
Kevin McKidd: [Laughs] No, no-no,-no, I couldn’t do it for real. No way.
Q: The class structure was very strong in Rome as it is in Britain, can you talk about it in your own life?
Kevin McKidd: My family is very much a working class background, I’m from a small town in the Highlands of Scotland. My parents were in the service industry, my father was a plumber and my mother worked in a secretarial office. I grew up very unaware of class because I was very removed from anywhere [laughs] that people of class would live [laughs hard]. Only when I moved to London I started to learn about all that stuff. It’s a very sophisticated system of class in Britain, there are certain rules that you have to follow, and I think it exists here (in the States), people say this is a classless society but I don’t believe that to be true. It’s a different class system, I haven’t quite worked it out yet because I haven’t been here for very long but you definitely get a sense that there are rules that should be abided in this country.
In ancient Rome it was so obvious that you were either hugely wealthy or ridiculously poor. Lucius Vorenus is very much me, a working class man, who because he has this deep sense of honour and the old ways he believes in, Caesar and Marc Anthony realise that they need this guy so they slowly corrupt him with money and power. During this process his family becomes nouveau riche.
Q: Are you a strict father?
Kevin McKidd: Not as strict as Vorenus [laughs], I tell you that. It’s funny, Billy Budd said to me when I was having problems with them: “All you have to say to them is: You’re the one who controls the volume of my voice.” [Laughs] That’s what Billy would say to his troops.
Q: Do you think it makes history more accessible when you see that the crumbling of a republic can start from a bar fight?
Kevin McKidd: Yes, I think so, that’s the Cain of conceit of it. Very much the Vorenus character I play and Pullo are the eyes of the audience, they’re kind of Rosencrantz and Guildenstern. Another analogy you could put it’s almost a Forrest Gump syndrome going on; these guys don’t only watch a present big historical events, they seem to take a hand and influence the course of the events. That’s the trick and the hook we’re trying to do, that’s more of the entertainment side, hopefully people will talk about it by the coffee machine the next day.
Q: What other parallels can you draw from Rome to today’s world?
Kevin McKidd: If you look at this moment in history, it’s about this emperor who is spreading his wings, changing and becoming all powerful. The corruption at home seems to be getting worse and worse while people are away fighting other battles, so I guess there are direct parallels with today.
Q: Was the costume difficult to wear?
Kevin McKidd: You got used to them. Initially you are like: “I can’t believe I have to wear this for 14 months, I have to be wheeled around on a wheel chair with it!” But very quickly your muscles adapt, you become incredibly fit actually because I spent a lot of time on horses, there’s a lot of horse back and stuff. Sometimes you spend 12 hours on horseback with 7 extra pounds of weight around you. So, I became very physically fit.
Q: What inspired you, what movies did you watch?
Kevin McKidd: I watched I, Claudius when I was a kid and it made a big impression on me. I bought the DVD set, and as I was putting it in the machine I took out again, I didn’t watch it because, you know, when you watch something as a kid and you’re impressed and then you watch it again and you see the flaky sets and the broom coming in and stuff and you go: “Oh, man, it’s not as good as it was!” So I used my memory of it. In hindsight, I used it as a inspiration and also one of the other inspirations for the show is Upstairs, Downstairs, the famous British TV show about a Victorian house with the aristocrats living upstairs and all the servants downstairs, and it constantly jumped between the two.
Q: You had to do some hard things when you were doing Rome. What were some of the examples, like one of the physically hardest things that you had to do?
Kevin McKidd: It’s funny, because we did a scene [in Journeyman] where I had a bloody nose and it was a tiny thing. And the make-up artist was like: “Sorry we have to do this.” And I was like: “Listen, I’ve been drenched in blood for the last two years, so it’s no big deal.” On Rome, we had so many hard days. I think one of the hardest sequences we shot was one gladiator fight, that was really very hard, but fun. You get to play out your boyhood fantasies being a gladiator.
Q: One of the rumours that’s starting, that they want you to play Thor in a big-screen movie based on the comic-book hero. How true are those reports, and how interested would you be if it is true?
Kevin McKidd: It’s semi-true, although I didn’t know it either until I heard the rumour. They called me and went: “Yeah, yeah, yeah…” But he wasn’t talking about it. I think the last I heard from my agent, they were talking about it, and they wanted to go with somebody much younger – a 19-, 20-year-old for that role. So they’re reconceptualising it as we speak, although I think maybe that I’m in consideration for it. But that certainly doesn’t mean that I’m in the bag or anything. To be honest, until I’ve seen a script, I don’t even know, and I haven’t seen a script. It’s all still just information to me. It could be fun, but it just depends on what’s on the page. I think it all starts and finishes with the quality of the script.
Q: Most of the British and Australian actors on US shows this year are speaking in American accents, including you. Was there any consideration about you using your native tongue, so to speak?
Kevin McKidd: Yeah. [Switches to a thick Scottish accent]. The way I see it – [switches back to a milder version, the one he’s been using during the interview] mean, I don’t know. I mean, I’m not a writer or whatever. But it’s just – it’s another hurdle you have to jump over to explain why would this guy be in San Francisco and be a Scottish reporter. You know what I mean? It’s another big hurdle you have to jump over.
Q: You must have been quite young when you had to learn the English accent compared to the Scottish accent. How old were you when you had to learn that, and is it difficult to go from Scottish to English?
Kevin McKidd: Yeah. Actually, no, no, it’s not. I mean, my indigenous accent from where I’m from, if you’re even at all interested, is completely impenetrable. And, you know, I don’t understand it anymore. Honestly, I mean, it’s a beautiful accent, but it starts [switches back to a thick Scottish accent] pretty much indecipherable, [then switches back again]. I went to drama school in Edinburgh, and they said: “You know, you’re never going to work with a voice like that…” Because there’s very few dramas being made about the upper regions of the Highlands in Scotland. [Laughs]
I had to kind of develop a generic – the voice I have essentially is a very middle-class kind of neutral Scottish accent, and I’m glad the lady at the left likes it. But then, to step into the American dialect is a hard one, but it just takes work and perseverance. It’s something that I’ve always enjoyed. I just see that as part of the transformation, and it’s deeply satisfying when you get it right, and it’s tough to get it right, and hopefully I can.
Read our preview of HBO’s Rome
Rome: The Complete Series is released on Blu-ray on Monday, November 16, 2009.
Terminator: Sarah Connor Chronicles - Season 2 Preview & competition
Preview by Jack Foley
THE second series of Terminator: Sarah Connor Chronicles will be available to buy on DVD and Blu-ray disc this Autumn – released by Warner Bros Home Video. The popular action-drama box set will be hitting UK shelves on November 16, 2009.
The heart-racing action and technological weaponry is set to wow fans of the blockbuster Terminator franchise.
The intense second season sees Sarah and her teenage son, John, relentlessly battling to save themselves and the world time and time again. Fugitives from the law, they must evade pursuers from the future – and the present – in today’s Los Angeles.
Picking up where Season 1 left off, Sarah Connor continues on her mission to bring down the Skynet Artificial Intelligence Network. Her son John is mankind’s only hope in the war against our own creations but at 16, he is rebelling against the reality of his destiny – Sarah must protect him by taking out Terminators and federal officers every step of the way.
No Terminator fan should miss out on the exciting DVD and BD extras available. Insightful audio commentary, ‘terminated’ scenes, a full ‘gag reel’ plus various new featurettes revealing backstage secrets and amazing fight scene rehearsals make this box set essential to complete any collection.
Win Terminator: Sarah Connor Chronicles: Season 2 on DVD
To celebrate the release of Terminator: Sarah Connor Chronicles: Season 2 on DVD on Monday, November 16, 2009, IndieLondon is offering readers the chance to win 1 of 2 copies of the box set. Simply answer the following question…
Q. In which US city does Terminator: Sarah Connor Chronicles take place in?
Simply send the answer to Sarah Connor S2 competition competition and include your name, address, telephone number and email
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The Tudors: The Complete Third Season - DVD Preview · 2 days ago by
DVD & BLU-RAY SPECIAL FEATURES: On Set with The Tudors; Soul Queen Meets Tudor King: Joss Stone as Anne of Cleaves; Exclusive Tour of Hampton Court.
PLOTTING and passion abound in this lavish account of one of the most turbulent reigns in English history. Returning for a third sexy and sensational series, The Tudors – The Complete Third Season is released to buy on Blu-ray and DVD from December 7, 2009, courtesy of Sony Pictures Home Entertainment.
This spectacular, Emmy® Award-winning drama from Michael Hirst, creator of the Academy Award winning Elizabeth and Elizabeth: The Golden Age, which recently aired on primetime BBC2 and is set to be released on DVD just in time for Christmas.
Season 3 sees Jonathan Rhys Meyers (Mission: Impossible III) returning to the role of Henry, alongside Henry Cavill (Stardust, Tristan + Isolde), Annabelle Wallis (Body of Lies) and multi-award winning singer Joss Stone in her debut TV acting role as Anne of Cleves.
The three disc box set contains all eight episodes from the third season and is available on DVD for £29.99 RRP and on Blu-ray for £39.99 RRP.
In addition, Season 3 will also be available to buy as part of The Tudors 1-3 (9 disc) DVD box set, which contain every episode of the pulse-racing historical drama – a royal treat for fans this Christmas.
Synopsis:
Following the execution of Anne Boleyn, King Henry VIII takes Jane Seymour as his third wife convinced she is the woman destined to bear him a son. Though Jane’s pregnancy is cause to rejoice, Henry faces mounting threats to his authority from a commoners’ revolt inside England and a Pope in Rome who is determined to stem Protestantism’s rise.
As attacks on his new church foreshadow trouble for the King, the increasingly powerful Thomas Cromwell redoubles his efforts to crush Catholicism across England. When Jane dies shortly after giving birth to Henry’s first son, Cromwell looks to capitalize on the tragedy to find a new wife who will bring with her the alliances needed to stave off a Catholic invasion – only to be undermined by Henry’s staunchest supporters.
And as an anguished Henry struggles to codify his position as the head of the new church, no one is safe from his growing madness.
Christopher Eccleston to play John Lennon · 6 days ago by
CHRISTOPHER Eccleston is to play John Lennon in a new film charting the turbulent years from 1967 to 1971.
Naked Lennon will examine the period when the Beatle was ending his first marriage to Cynthia as he met Yoko Ono as well as coping with the death of manager Brian Epstein and the messy disintegration of the band.
The biopic, which follows hot-on-the-heels of Sam Taylor Wood’s Nowhere Boy, has been commissioned by BBC Four, according to Variety, and will air sometime next year.
It also stars Naoko Mori, of Torchwood and Absolutely Fabulous fame, as Ono and Rory Kinnear as Epstein, with Claudie Blakley (Cranford) as Cynthia Lennon and Andrew Scott as Paul McCartney.
Nowhere Boy, which opens in UK cinemas on Boxing Day, depicts Lennon as a teenager growing up in Liverpool in the 1950s.
Read our review of Nowhere Boy
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Enid - DVD Preview · 10 days ago by
HELENA Bonham-Carter leads the cast in Enid, a major one-off drama as part of the BBC’s ‘Women We Loved’ season, coming exclusively to Amazon on DVD from Universal Playback on November 30 and trade-wide from January 2010.
Enid celebrates the life of Enid Blyton, who remains one of the most recognised and best-loved storytellers of all time. Her charming characters and classic tales have enchanted generation after generation of children all over the world for almost eighty years.
To date she has sold an astonishing 500 million books in 40 countries and this film examines the woman who created such enduring and compelling stories such as the beloved Famous Five, Secret Seven, Malory Towers and the unique and timeless Noddy series.
Enid Blyton was recently voted the UK’s best-loved writer, according to a survey conducted for the Costa Book Awards. Half a billion books sold helped her to beat Roald Dahl, Jane Austen and even JK Rowling to the top spot.
But behind the extraordinary success and positive image lies a darker and more conflicted story. This film sheds light on the ambitious and driven, but as yet unpublished young woman.
We follow her from the development of her wonderful rich imagination against the adversity of a less than perfect childhood, through two World Wars and a first marriage that ended in divorce, to household name – and a place in readers’ hearts that survives her to this day.
For the first time on screen, we see how the orderly, reassuringly clear worlds she created within her stories contrasted so dramatically with the complexity of her own personal life.
Joining the Oscar-nominated Helena Bonham-Carter are Matthew Macfadyen (Frost/Nixon, Pride & Prejudice, Spooks) as Hugh Pollock, Enid’s publisher, first husband and father of her two daughters, and Denis Lawson (Bleak House, Local Hero) as Kenneth Darrell Waters who became her second husband.
Enid continues BBC Four’s tradition of examining the inner lives of 20th Century icons from Steptoe to Thatcher. It’s a candid and revealing portrait of someone who remains such a revered part of our culture.
Of her iconic role, Helena Bonham Carter said: “It’s a long time since I have read such a well-written script with as complex and fascinating a character as Enid … And I hope I get to drink lashings of ginger beer.”
Enid will be released exclusively to Amazon on DVD from Universal Playback on November 30 and trade-wide from January 2010.
The Sopranos - The Complete First Season (Blu-ray) - Preview · 10 days ago by
HBO HOME Entertainment celebrates the 10th Anniversary year of the debut of their groundbreaking, multi award winning series The Sopranos on November 23, 2009, with the Blu-ray release of The Complete First Season.
For the first time ever, fans will be able to experience this controversial and brilliant series in a whole new light.
The drama is all the more effective on Blu-ray with its gritty, challenging portrayal of the modern mafia. Viewers will be able to witness ever whack, madonn’ and hit in unflinching detail with enhanced sound and HD picture for the first time ever. With expansive special features, you’ll be transported into the heart of the action where the clarity of the format will make you feel you’re actually in Tony’s kitchen or being analysed in Dr. Malfi’s office.
BLU-RAY SPECIAL FEATURES: Audio Commentary with Creator/Writer/Director David Chase and Peter Bogdanovich; David Chase Interview; Family Life featurette; Meet Tony Soprano featurette; Series Index.
A stunning, newly repackaged DVD box set of the complete series 1-6 will also be released on the same day.
Building on HBO’s stunning collection of landmark TV series on Blu-ray, The Sopranos won an astonishing 21 Emmy® and 5 Golden Globe® awards.
Writer-producer-director David Chase’s extraordinary television series is an urban gangster drama, but its true impact strikes closer to home, chronicling a dysfunctional, suburban American family in bold relief.
The Sopranos stars three-time Emmy® winners James Gandolfini (In The Loop) as Tony Soprano and Edie Falco as Tony’s wife Carmela, plus Lorraine Bracco as therapist Dr. Jennifer Melfi, Emmy® winner Michael Imperioli (Goodfellas) as Tony’s nephew Christopher Moltisanti and Dominic Chianese as Uncle Junior.
Other series regulars include Robert Iler as Anthony Soprano, Jr., Jamie-Lynn Sigler as Meadow Soprano, Tony Sirico as Paulie Walnuts and Steven Van Zandt as Silvio Dante.
The Show
Tony Soprano tries to be a good family man on two fronts – to his wife, kids and widowed mother – and as a capo in the New Jersey mob. The pressure of work and family life give him anxiety attacks, so Tony starts seeing a psychiatrist, which is not the kind of thing a guy advertises in the circles Tony moves in – it could get him killed.
What caused all this stress? On the home front his marriage is shaky and his mother needs to be put in a nursing home (he calls it a ‘retirement community’ but she still won’t go).
Uncle Junior wanted to use Tony’s childhood friend’s restaurant to whack a guy called Pussy Malenga, but Tony prevented the hit by blowing the place up. When a Czech mob attempted to move in on the Sopranos’ waste management business Tony’s hot-headed nephew Chris ‘handled the problem’ by murdering their representative and dumping him on Staten Island without getting the permission of the administration.
To top it all off, Tony is haunted by the feeling that the glory days of mob life are long gone, and that he might not measure up to the titans of the past.
It’s enough to make anyone see a shrink…
Certificate: 18
Running time: 754mins
UK Blu-ray Release: November 23, 2009
Whishaw and Walters triumph at International Emmys · 12 days ago by
BRITISH stars Ben Whishaw (pictured) and Julie Walters triumphed in the top acting categories at the International Emmy Awards in New York on Monday (November 23, 2009).
Whishaw was honoured for his performance in BBC drama Criminal Justice, while Walters triumphed for the BBC’s assisted suicide drama A Short Stay In Switzerland.
Twenty-nine-year old Whishaw played a man accused of murdering a woman after a night of drink and drug-fuelled excess in five-part drama, while 59-year-old played a doctor with an incurable neurological disease seeking assisted suicide at a Zurich clinic.
Neither performer was at the New York awards, which was hosted by Graham Norton.
The International Emmys celebrate TV made outside of the US and were chosen from 41 nominees across 17 countries.
Elsewhere at the ceremony, Sir David Frost was presented with the Founders Award by US broadcaster Barbara Walters, who subsequently described him as “the best interviewer there is”.
Sir David’s TV career began in the early ’60s when he hosted satirical show That Was The Week That Was before his tussle with former President Richard Nixon turned him into a world-wide star and heavyweight interviewer.
The story of his Nixon interview has since been turned into the Oscar-nominated film Frost/Nixon as well as a stage play.
Further British recipients included Channel 4’s The Mona Lisa Curse (which won the arts programming award), Niall Ferguson’s The Ascent of Money, also shown on Channel 4, took the documentary prize, and CBBC’s Dustbin Baby in the children and young people category.
Danish show The Protectors was named best drama series, while Japanese programme Hoshi Shinichi’s Short Shorts won the comedy award.
Grey's Anatomy: Season 4 - Review · 14 days ago by
THE decline of Grey’s Anatomy continued as the show entered its fourth season with personal drama once again dominating proceedings.
Interns Meredith (Ellen Pompeo), Cristina (Sandra Oh), Izzie (Katherine Heigl), and Alex (Justin Chambers) began their first year as residents, while mentoring new underlings including ex-colleague George (TR Knight), who remained an intern after failing his exams, and Meredith’s half sister, Lexie (Chyler Leigh).
Dr Derek Shepherd (Patrick Dempsey) struggled to balance work commitments with the emotional wounds caused by the end of his relationships with both Meredith and his ex-wife.
And Dr Bailey (Chandra Wilson) also struggles to cope with losing the Chief Resident spot to Dr Torres (Sara Ramirez).
All of the above storylines enabled the characters to indulge in yet more self-absorbed posturing, as medical storylines either reflected their state of minds or current life crisis.
Even the big moments were squandered, with two-parters such as Crash Into Me and season finale Freedom merely adding to the suspicion that this once highly entertaining show has seen its better days.
The biggest problem with Grey’s Anatomy continues to be the nature of its characters. Flawed human beings are perfectly fine and shows such as ER and, more recently, In Treatment are packed with them.
But there has to be something to identify with beyond those failings… some form of likeability. Alas, the self-absorbed, pretentious and frequently selfish attitudes that drive the surgeons at the centre of Grey’s exasperate more than reward.
The interminable will they/won’t they get it together between Derek and Meredith is now stretched beyond breaking point… with Derek short-changed with a new love interest viewers just know he won’t last with.
Meredith, meanwhile, continues to be one of the most selfish, self-centred characters on television, while even the previously likeable likes of Izzie, Callie and George have gone off the rails.
The return of Kate Walsh’s Addison for an episode entitled Piece of My Heart served a reminder of why the show is cheapened for the loss of that particular character, while the one dimensional treatment afforded to Eric Dane’s sex-obsessed, borderline misogynist was close to scandalous.
Plot devices also became increasingly clunky, such as the marriage between George and Callie that no one believed in from the start, or the decision to introduce an affair with Izzie as a means of ripping it apart. The stories just didn’t ring true, thus undermining their emotional grip.
Admittedly, season four was a slight improvement on the ponderous third season. But come the end of the 17 episodes that comprise this box set, you may well feel it’s still in a critical condition.
Certificate: 15
Discs: 5
UK Release Date: November 23, 2009
Steven Spielberg and Stephen King to unite for Dome series · 15 days ago by
STEVEN Spielberg is joining forces with horror writer Stephen King to develop a new limited series based on the author’s just-released supernatural thriller Under The Dome.
Spielberg’s DreamWorks TV has optioned the book and is set to turn the novel into an event series for cable.
The book centres around the drama that’s created when an invisible force field suddenly descends on a small vacation town in Maine.
As the locals fight for survival, warring factions are created by enigmatic characters.
Under The Dome would mark the second collaboration between Spielberg and King, following their adaptation of King’s 1984 novel The Talisman.
It also marks the latest small screen project from Spielberg, who is also developing a series about the development of a fictional Broadway show for Showtime, as well as a costume-drama revolving around the Borgia clan that Robert Zemeckis is also producing.
DreamWorks TV also produces the acclaimed dramedy United States of Tara, for which Toni Collette was recognised with the lead comedy actress Emmy in September. That show is due to commence its second season in March 2010.
Spielberg is also involved in a follow-up to his acclaimed World War II series, Band of Brothers, for the small screen.
Michael Stuhlbarg talks Boardwalk Empire · 18 days ago by
MICHAEL Stuhlbarg, the star of the Coen brothers’ new film A Serious Man, has been talking about working with Martin Scorsese on new HBO gangster drama Boardwalk Empire.
The series, which is loosely based on the book by Nelson Johnson, stars Steve Buscemi as Enoch Nucky Thompson who, according to Stuhlbarg, was “the unofficial governor of Atlantic City, who sort of gets illegal things for people”.
He continued: “It [the show] follows the life and times and birth of Atlantic City. There are some famous characters, such as Al Capone and Lucky Luciano, in it. [But] it primarily focuses on Steve Buscemi’s character, Enoch Nucky Thompson, who is sort of the unofficial governor of Atlantic City, who sort of gets illegal things for people.
“I play Arnold Rothstein, who was allegedly responsible for fixing the 1919 World Series and the whole Chicago Black Sox Scandal. A gambler, bootlegger, racketeer, stable owner, heroin importer… there weren’t many things he didn’t do, so he’s quite an interesting guy.”
Gretchen Mol, who was last seen in last season’s short-lived American television version of Life on Mars, will also be going to the HBO series in a recurring role as a showgirl.
Stuhlbarg is an acclaimed Broadway actor who has also appeared in the film Body of Lies for director Ridley Scott.
Read our full interview with Michael Stuhlbarg
HBO's Rome - Kevin McKidd interview · 18 days ago by
WE TALK to Kevin McKidd, who stars in Rome – released on Blu-ray by HBO and out now – about the last years of Julius Caesar’s reign, playing soldier Lucius Vorenus. He talks about some of the physical demands of the role, finding his character and coping with learning an American and English accent…
Q: How did you deal with being away from home for such a long period of time, making Rome?
Kevin McKidd: You just deal with it, I’ve got a wife and two young children who are not in school yet, so I was lucky that they could come out with me for big chunks of time. And I commuted a lot, I was in those Friday and Sunday night planes. It’s only a two and a half hour flight so it’s doable, it’s not a nightmare, but there were times when you started to crave, I remember I’d crave a bacon butty, a good cup of tea; all those things that you take for granted in Britain. You start to crave for eggs and chips. But then when you leave Italy you realise: “God, man, this was great, how I could ever complain?”
Q: Wasn’t there a hiatus at some point and why was that?
Kevin McKidd: I think what happened was that the Bulgarian set became flooded, so we couldn’t use them so we had to take a break anyway. HBO took the opportunity and looked at the material and decided that they needed to pump more money into it to fully realize the show as it stands at the moment. The sets were too clean, pristine… we wanted it to be much more broken down, much more colourful, much more like an Indian market. I think they put 15 million more after that. We ended up relocating all those exterior locations in Bulgaria back to Rome, we just found locations that were similar to Bulgaria locations.
Q: How much blue screen was there?
Kevin McKidd: About 90% what you see is really built. It’s a five kilometre set in the radius, which is massive. Beyond that there would be blue screens put up, so just only when your eye sees a temple in a very far distance or a hill, only at that point it becomes CGI.
Q: Were you ever able to get so immersed to it that you felt that you really were in ancient Rome?
Kevin McKidd: I’m not Daniel Day-Lewis [laughs] but there were moments, especially the night shoots, in that set when you get the flames going and all these people on the streets at night, I really became so immersed, and between action and cut a few times in a very intense scene, there were moments when you get goose flesh, “wow, we’re actually here” or maybe it was just sleep deprivation, I don’t know [laughs].
Q: How did you start to build your character?
Kevin McKidd: The obvious place to start was the army training, and the guy called Billy Budd who’s become a good friend, he fought in the marines, and I worked with him in Kingdom of Heaven so I knew him a little bit, and we did so much work with him. Not just about the baring of a soldier and the way to present yourself, the way to march, but also for me, because Vorenus is a leader of men, and he taught me the techniques and there’s a very specific technique to win the hearts and minds of your men, to make them fight to the death for you and for each other. It’s about public speaking, honour, chivalry, care for your men, you become their father, so I was just sucking everything in as much as I could. Vorenus is nothing but that and his struggle is to come to terms with his family and civilian life, so I needed to get the army bit right.
Q: Do you think you could’ve made a good soldier?
Kevin McKidd: [Laughs] No, no-no,-no, I couldn’t do it for real. No way.
Q: The class structure was very strong in Rome as it is in Britain, can you talk about it in your own life?
Kevin McKidd: My family is very much a working class background, I’m from a small town in the Highlands of Scotland. My parents were in the service industry, my father was a plumber and my mother worked in a secretarial office. I grew up very unaware of class because I was very removed from anywhere [laughs] that people of class would live [laughs hard]. Only when I moved to London I started to learn about all that stuff. It’s a very sophisticated system of class in Britain, there are certain rules that you have to follow, and I think it exists here (in the States), people say this is a classless society but I don’t believe that to be true. It’s a different class system, I haven’t quite worked it out yet because I haven’t been here for very long but you definitely get a sense that there are rules that should be abided in this country.
In ancient Rome it was so obvious that you were either hugely wealthy or ridiculously poor. Lucius Vorenus is very much me, a working class man, who because he has this deep sense of honour and the old ways he believes in, Caesar and Marc Anthony realise that they need this guy so they slowly corrupt him with money and power. During this process his family becomes nouveau riche.
Q: Are you a strict father?
Kevin McKidd: Not as strict as Vorenus [laughs], I tell you that. It’s funny, Billy Budd said to me when I was having problems with them: “All you have to say to them is: You’re the one who controls the volume of my voice.” [Laughs] That’s what Billy would say to his troops.
Q: Do you think it makes history more accessible when you see that the crumbling of a republic can start from a bar fight?
Kevin McKidd: Yes, I think so, that’s the Cain of conceit of it. Very much the Vorenus character I play and Pullo are the eyes of the audience, they’re kind of Rosencrantz and Guildenstern. Another analogy you could put it’s almost a Forrest Gump syndrome going on; these guys don’t only watch a present big historical events, they seem to take a hand and influence the course of the events. That’s the trick and the hook we’re trying to do, that’s more of the entertainment side, hopefully people will talk about it by the coffee machine the next day.
Q: What other parallels can you draw from Rome to today’s world?
Kevin McKidd: If you look at this moment in history, it’s about this emperor who is spreading his wings, changing and becoming all powerful. The corruption at home seems to be getting worse and worse while people are away fighting other battles, so I guess there are direct parallels with today.
Q: Was the costume difficult to wear?
Kevin McKidd: You got used to them. Initially you are like: “I can’t believe I have to wear this for 14 months, I have to be wheeled around on a wheel chair with it!” But very quickly your muscles adapt, you become incredibly fit actually because I spent a lot of time on horses, there’s a lot of horse back and stuff. Sometimes you spend 12 hours on horseback with 7 extra pounds of weight around you. So, I became very physically fit.
Q: What inspired you, what movies did you watch?
Kevin McKidd: I watched I, Claudius when I was a kid and it made a big impression on me. I bought the DVD set, and as I was putting it in the machine I took out again, I didn’t watch it because, you know, when you watch something as a kid and you’re impressed and then you watch it again and you see the flaky sets and the broom coming in and stuff and you go: “Oh, man, it’s not as good as it was!” So I used my memory of it. In hindsight, I used it as a inspiration and also one of the other inspirations for the show is Upstairs, Downstairs, the famous British TV show about a Victorian house with the aristocrats living upstairs and all the servants downstairs, and it constantly jumped between the two.
Q: You had to do some hard things when you were doing Rome. What were some of the examples, like one of the physically hardest things that you had to do?
Kevin McKidd: It’s funny, because we did a scene [in Journeyman] where I had a bloody nose and it was a tiny thing. And the make-up artist was like: “Sorry we have to do this.” And I was like: “Listen, I’ve been drenched in blood for the last two years, so it’s no big deal.” On Rome, we had so many hard days. I think one of the hardest sequences we shot was one gladiator fight, that was really very hard, but fun. You get to play out your boyhood fantasies being a gladiator.
Q: One of the rumours that’s starting, that they want you to play Thor in a big-screen movie based on the comic-book hero. How true are those reports, and how interested would you be if it is true?
Kevin McKidd: It’s semi-true, although I didn’t know it either until I heard the rumour. They called me and went: “Yeah, yeah, yeah…” But he wasn’t talking about it. I think the last I heard from my agent, they were talking about it, and they wanted to go with somebody much younger – a 19-, 20-year-old for that role. So they’re reconceptualising it as we speak, although I think maybe that I’m in consideration for it. But that certainly doesn’t mean that I’m in the bag or anything. To be honest, until I’ve seen a script, I don’t even know, and I haven’t seen a script. It’s all still just information to me. It could be fun, but it just depends on what’s on the page. I think it all starts and finishes with the quality of the script.
Q: Most of the British and Australian actors on US shows this year are speaking in American accents, including you. Was there any consideration about you using your native tongue, so to speak?
Kevin McKidd: Yeah. [Switches to a thick Scottish accent]. The way I see it – [switches back to a milder version, the one he’s been using during the interview] mean, I don’t know. I mean, I’m not a writer or whatever. But it’s just – it’s another hurdle you have to jump over to explain why would this guy be in San Francisco and be a Scottish reporter. You know what I mean? It’s another big hurdle you have to jump over.
Q: You must have been quite young when you had to learn the English accent compared to the Scottish accent. How old were you when you had to learn that, and is it difficult to go from Scottish to English?
Kevin McKidd: Yeah. Actually, no, no, it’s not. I mean, my indigenous accent from where I’m from, if you’re even at all interested, is completely impenetrable. And, you know, I don’t understand it anymore. Honestly, I mean, it’s a beautiful accent, but it starts [switches back to a thick Scottish accent] pretty much indecipherable, [then switches back again]. I went to drama school in Edinburgh, and they said: “You know, you’re never going to work with a voice like that…” Because there’s very few dramas being made about the upper regions of the Highlands in Scotland. [Laughs]
I had to kind of develop a generic – the voice I have essentially is a very middle-class kind of neutral Scottish accent, and I’m glad the lady at the left likes it. But then, to step into the American dialect is a hard one, but it just takes work and perseverance. It’s something that I’ve always enjoyed. I just see that as part of the transformation, and it’s deeply satisfying when you get it right, and it’s tough to get it right, and hopefully I can.
Read our preview of HBO’s Rome
Rome: The Complete Series is released on Blu-ray on Monday, November 16, 2009.
Terminator: Sarah Connor Chronicles - Season 2 Preview & competition · 21 days ago by
THE second series of Terminator: Sarah Connor Chronicles will be available to buy on DVD and Blu-ray disc this Autumn – released by Warner Bros Home Video. The popular action-drama box set will be hitting UK shelves on November 16, 2009.
The heart-racing action and technological weaponry is set to wow fans of the blockbuster Terminator franchise.
The intense second season sees Sarah and her teenage son, John, relentlessly battling to save themselves and the world time and time again. Fugitives from the law, they must evade pursuers from the future – and the present – in today’s Los Angeles.
Picking up where Season 1 left off, Sarah Connor continues on her mission to bring down the Skynet Artificial Intelligence Network. Her son John is mankind’s only hope in the war against our own creations but at 16, he is rebelling against the reality of his destiny – Sarah must protect him by taking out Terminators and federal officers every step of the way.
No Terminator fan should miss out on the exciting DVD and BD extras available. Insightful audio commentary, ‘terminated’ scenes, a full ‘gag reel’ plus various new featurettes revealing backstage secrets and amazing fight scene rehearsals make this box set essential to complete any collection.
Win Terminator: Sarah Connor Chronicles: Season 2 on DVD
To celebrate the release of Terminator: Sarah Connor Chronicles: Season 2 on DVD on Monday, November 16, 2009, IndieLondon is offering readers the chance to win 1 of 2 copies of the box set. Simply answer the following question…
Q. In which US city does Terminator: Sarah Connor Chronicles take place in?
Simply send the answer to Sarah Connor S2 competition competition and include your name, address, telephone number and email