The singles collection

Reviews by Paul White, Jack Foley & Simon Pinion

INDIELONDON is proud to present its rundown of the singles we have been listening to over recent weeks, complete with release dates, our verdict, and a link to buy them (just click on the record cover).

MONDAY, JUNE 24

ROB DOUGAN - CLUBBED 2 DEATH:
Originally released in 1995 on James Lavelle's Mo Wax label, Rob Dougan's genre-defying classical breakbeat masterpiece gets another outing, having been used as the backdrop for countless adverts, movies (including The Matrix) and news/sport montages. The track is both moody and uplifting, featuring that infamous beat and some terrific piano rifts to create a truly memorable dancefloor classic - the type of which wouldn't sound out of place in any club. Re-released on Rollo's Cheeky Records label, the CD features a Hybrid remix (edit) and the La Funk Mob variation. It is indielondon's single of the week.

MORCHEEBA - OTHERWISE:
Impossible to ignore, Morcheeba continue to define the sound of chillout. If the Big Calm was the band at its most moody and serene, Fragments of Freedom was them at their most chirpy. Otherwise, the first single to be taken from the upcoming Charango album, manages to combine the sound of both, while still sounding fresh and exciting. It is an intoxicating mix of fragile, hip-hop influenced beats, drum and bass loops, and sultry Skye Edwards vocals. Think of Lamb and you're close; but it's impossible not to be seduced by Edwards' voice.

THE SHINING: I WONDER HOW:
Comprised of former Verve members Simon Jones and Simon Tong, as well as Duncan Baxter, Dan McBean and Mark Heaney, The Shining continue to win acclaim with their second single, the wonderfully moody rock anthem, I Wonder How. Featuring some terrific instrumentals, a chant-a-long chorus and some great vocals, this is better than the band's debut and a really catchy number which manages to evoke memories of early Verve classics. CD features bonus tracks, Prove Love & I Got A Feeling.

MONDAY, JUNE 17

OASIS - STOP CRYING YOUR HEART OUT:
Oasis follow up the superb Hindu Times with another belter of a single, the type of which harks back to the supergroup's glory days of Wonderwall and Champagne Supernova. Stop Crying Your Heart Out is the Gallaghers at their absolute best; a soulful, almost mournful, rock ballad featuring some sublime Liam vocals, that unmistakeably Beatles sound and some really great guitar work. If this is the level of quality contained on the forthcoming album, Heathen Chemistry, then surely Oasis can look forward to featuring in the top albums of the year list once again. The doubters should surely be silenced now. Our single of the week.

MUSE - IN YOUR WORLD/DEAD STAR:
I have to confess something. Muse, a rock act from the UK, have so far failed to impress me; but this double-A sided single really made me sit up and take notice. Dead Star is fairly typical of what to expect, but the gutsy In Your World is a real classic; featuring that trademark Muse piano opening and some truly rip-roaring guitars which help to make the chorus vaguely reminiscent of Nirvana's Smells Like Teen Spirit (feel free to object!). Produced by John Cornfield, the single screams out to be played loud and only narrowly misses out on our single of the week tip. But another one for the shopping basket, to be sure.

FROU, FROU - BREATHE IN:
Consisting of songwriter/producer Guy Sigsworth and singer/songwriter Imogen Heap, Frou, Frou have produced one of the chill-out singles of the year to make their debut. Breathe In is a beautiful mix of haunting beats and serene vocals which manage to combine the sound of chill out masters Morcheeba with, curiously, the vocal range of Dido. The single features remixes from the Watkins (of house anthem 'Black AM') and jump up drum & bass hero Aphrodite. Expect this duo to achieve greatness shortly.

ATHLETE - YOU GOT THE STYLE:
Another of the UK's rapidly emerging bands, Athlete made a good impression with their little-known debut single, Westside, and look set to follow it up with another in the same mould - only this time, one which will bring them the recognition they deserve. You Got The Style is chirpy, up-beat and hopelessly sing-a-long - the type of track which simply makes you feel good while listening to it. Simple but effective, this is a band to look out for in the future. Radio stations seem to have cottoned on. The CD features a bonus track, plus a remix of You Got The Style.

BASEMENT JAXX - GET ME OFF:
Basement Jaxx are on a roll at the moment, sweeping all before them in the dance stakes. Their critically-acclaimed second album, Rooty, has won Brit and NME awards and produced three top 10 singles, while their latest, Get Me Off, looks set to continue the trend and cement a growing reputation as a dance act with gusto. Get Me Off can best be described as a funky, dirty (even sleazy) dancefloor filler, capable of appealing to all types of clubbers. The single itself features the Jaxx 2002 remix, as well as bonus tracks Do Your Thing (Jaxx Club Remixx) and Broken Dreams (Los Amigos Invisibles Mix). Destined to become one of this summer's dance anthems.

(This week's reviews compled by Jack Foley)

MONDAY, JUNE 10

ELVIS PRESLEY VERSUS JXL - A LITTLE LESS CONVERSATION:

Undoubtedly the track of the summer, this effortlessly cool remix of an Elvis Presley classic (the original features on the Ocean's Eleven soundtrack) works on so many levels; and not just the feelgood factor. Beat-laden, dance-friendly and capable of putting a smile on anyone's face, this also has the ability to make almost any bloke want to pick up a football and perform some ball-juggling skills with the memory of that Nike (Scorpion football) advert playing fondly in the mind. Pure, unadulterated fun and a winning commercial mix, expect this to be absolutely massive. CD features a 12" remix plus the Elvis original to keep fans happy. Needless to say, it's our single of the week...

PAUL OAKENFOLD - SOUTHERN SUN/READY, STEADY GO:
The type of track which harks back to a bygone era, while mixing in elements of the trademark Oakenfold sold which was so evident on last year's Swordfish soundtrack, this double-A side is another of this summer's big beat classics and a sure dancefloor filler. Ready, Steady Go, in particular, eschews all the virtues of classic dancefllor filler, with its aggressive mix of attitude-laden vocals and big beats, while Southern Sun is one to chill out to the morning after the night before. Oakenfold fans will not be disappointed.

BADLY DRAWN BOY - SOMETHING TO TALK ABOUT:

Laid back, chirpy and a worthy follow-up to Silent Sigh, Badly Dawn Boy's latest to be taken from the About A Boy soundtrack is yet another example of why this artist is so highly regarded within music industry circles. Expertly written and so well put together, this is the type of track which has you singing along to it in spite of yourself; with excellent melodies and a winning chorus. While not quite as good as Silent Sigh, this works well as another feelgood piece of music and comes as a nice contrast to the big beat, dancefloor-orientated sounds of JXL and Oakenfold which are also doing the rounds this week. CD1 features the original version of the track, plus remixes by Four Tet and Misty Dixon, while CD2 contains a brand new track, My Name's Not Down, plus the Electric Bedroom version of Above You, Below Me. (NB, click on CD2 to order it...)

CHAD KROEGER FEATURING JOSEY SCOTT - HERO:
Spiderman the movie is released on Friday (June 14) so it is little wonder that one of the soundtrack's big rock numbers gets a virtually simultaneous airing. Chad Kroeger is better known as frontman and main songwriter for Nickelback and his vocal range is unmistakeable, particularly during Hero's gutsy chorus, while the track also features guest vocals from Saliva's Josey Scott. That said, and as enjoyable as the song occasionally feels (particularly when played in tandem with memories of the film), this sounds and feels like a soundtrack-filler and will probably drift from memory once all the hype surrounding the movie dies down.

(This week's reviews compled by Jack Foley)

MONDAY, JUNE 3

JIMMY EAT WORLD - SWEETNESS:
Hailed in certain quarters as 'the hottest band of 2002', Jimmy Eat World continue to churn out upbeat, American-influenced rock numbers in the same mould as Sum 41 and Blink 182. Undeniably infectious but very much the same as many a punky-pop rocker, this should appeal to the current crop of chart-friendly rock numbers and bring the band the success for which they have been tipped. Whether they will set the world on fire, however, remains to be seen. Fun, instantly forgettable and very little staying power. The jury remains out on Jimmy Eat World for now..

GOMEZ - SOUND OF SOUNDS:
Gomez are one of those bands who delight and frustrate me in equal measure. When they first arrived, they forced you to sit up and take notice with tracks such as Whippin Piccadilly, while last year's Machismo was a bit of a belter. Since then, however, I have been left decidedly underwhelmed. Ping One Down, from the latest album, failed to impress; while Sound of Sounds, the follow-up, does very little for me. It's well put together, melodic, clappy (even), and unquestionably Gomez, but I can take it or leave it. Must do better if they are to realise that early potential...

NO DOUBT - HELLA GOOD:
Having spent years in the musical wilderness, No Doubt blasted back onto the music scene (both here and in the States) with the really feelgood 'Hey Baby' and now follow that chart-buster up with Hella Good, another funky little number. Easily as catchy as 'Hey Baby', but sounding quite different, it manages to combine an 80s rock feel with some distinctive electronica influences; all geared towards bringing out the best in Gwen Stefani's attitude-laden vocals. This is one that will suit any party, so expect it to be heard in a number of clubs this summer. There's No Doubt this will be a huge hit for the band. Single includes a Roger Sanchez remix of Hella Good, the video of the single as well as an Outkast version of 'Hey Baby'.

PUDDLE OF MUD - BLURRY: ENHANCED:
Already massive in America, Puddle of Mud arrive in the UK with expectations high and - on the strength of this - look set to deliver. Another massive anthemic rock track reminiscent of the likes of Nickelback, Puddle of Mud's Blurry is a glorious slow-builder, the type of which also harks back to early Pearl Jam. Typical of all that is good about the resurgence of rock music, this also benefits from having that distinctly American big band feel. Surely bound for the top 10, despite going up against every England World Cup single under the sun!

ALPINESTARS feat Brian Molko - CARBON KID:
Now here's one to drool over. Without question, this is indielondon's single of the week, and a contender for one of the singles of the year. Alpinestars have been attracting our ears for some time (with the likes of 2001's Interlaken and the more recent Snow Patrol), and they continue to go from strength to strength with their latest, Carbon Kid, featuring the vocals of Placebo's Brian Molko. At times aggressive, at others hypnotic, and with plenty going on, this is destined to become an all-time classic, up there with the likes of Lo-Fidelity Allstars Battleflag. Breathtaking. Click here to order...

(Reviews compiled by Jack Foley)

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